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My next book, Everything is Personal, Notes on Now, is launching on January 15, 2020. Pre-orders begin on November 1, 2019, and here is the link! https://scuppernongeditions.com/?fbclid=IwAR2HlsjheFlHcLRVDzcyOu1L0y-b8KYUXYSgYeSVhd25hATRjcBQjHeFRcA

Advance praise:

“An extraordinary work, remarkably and unflinchingly true to its author’s powerful, instantly recognizable voice  — full of wisdom and passion and fierce intelligence. Not a single word here is lost to indifference or indirectness. “I am what is around me,” wrote Wallace Stevens. For Laurie Stone, the world we live in now is personal — everything and everywhere in it is her and the immediate place of her being. There is great beauty in this brave book, right at the very heart of it.” –Mikhail Iossel, author of Notes from Cyberground and Trumpland and My Old Soviet Feeling.

Laurie Stone’s “Everything Is Personal” is a galvanic account of our era, a trumpet blare aimed at sleepwalkers. In essays and diary entries that are sharply observant, grieving and generous, Stone seeks links between 1968 and now, meditating with wit and complexity on her own intimate and intellectual history, the question of separating the artist from the art, sexual violence, romantic love, friendship, comedy, television and more. She meditates on the life of Valerie Solanas and the trial of Brett Kavanaugh; she wrestles with her frustration with the “good-girl-ism” embedded in modern feminism and celebrates the messy, unquenchable power of desire. A voice unlike any other, she’s a fearless thinker in an age submerged in fear. –Emily Nussbaum

‘Every new language sounds harsh at first,’ writes Laurie Stone. Everything is Personal belongs on the shelf with Debord’s Society of the Spectacle and Adorno’s Minima Morialia, books that deliver great wisdom in rolling waves of epigrams. Stone knows that in a world crowded with opinions, a thought can’t just be good, it has to be elegant. Her powerful sentences smile at their own precision, they don’t just make a social point but offer a model on how to think, how to think in this time. As she says, ‘What offends you is always going to be my endangered devotion, and vice versa.’ As she says, ‘About the matter of redemption, as far as I am concerned, human beings don’t fall and therefore do not need to be redeemed. We are not on a path, period.’ –Michael Tolkin, author of The Player and cowriter of Escape at Dannemora.

To read Laurie Stone’s Everything is Personal, Notes on Now is to read Laurie Stone, is to experience a present tense intimacy with a lusty, testy, ebullient, scintillating mind, a woman’s mind, a woman who remembers the summer of ’68 and is living, right now, in this instant, through the Trump years, indeed is surviving the Trump years through documenting her perceptions and memories, her fierce judgments and sweeping opinions about everything from the Brontes to butter, Norman Mailer to Louis CK, Junot Diaz to bird shit, #MeToo to The Handmaid’s Tale, piranhas to praying mantises, The Village Voice to Andy Warhol’s shooter and author of SCUM Manifesto, Valerie Solanas, crystalizing, meanwhile, nuances of feeling—sanctimony, remorse, grief, desire desire desire, and then to keep us sane, to keep herself sane, moments like this:  “It was chilly this morning, and I wore a black jacket with a paperclip for a zipper pull. The grass was the green of electricity, and the trees were heavy with grapefruits and lemons. It was silent. Ducks and geese paddled in the shape of a wedge. It reminded me of pie, and I missed my sister.” Read Laurie Stone. Read this book.–Diane Seuss, author of Four-Legged Girl and Still Life with Two Dead Peacocks and a Girl

Free and freeing, clear and bright, a cyclone of history written by an acutely observing eye, Everything is Personal makes radical social change and individual transformation seem not only necessary but inviting and funny. Laurie Stone has given us ‘a place to live while the world learns to breathe again.’ –Joseph Keckler,  comic performer, opera singer, and author of Dragon at the Edge of a Flat World.

“There are many excellent essays here, but the one I’m most excited by is ‘The Clock’, which is admirably complicit,  resistant to all manner of received wisdom, self-questioning, ferocious, and little short of revelatory. I am a besotted fan.”—David Shields, author of Reality Hunger and The Thing about Life is that One Day You’ll be Dead.

“Laurie Stone’s exhilarating, unclassifiable book brings the stinging wit and ferocious political engagement of the feuilleton tradition of Joseph Roth into the age of the Social Media thread, with its built-in fluidity and openendedness, to brilliant effect. I can’t remember when I last read anything as alive, alert, self-questioning and independent-minded as Everything is Personal, whether in its quick glances at lovers, strangers, houses, movies, skies, or its extended montages on subjects such as Valerie Solanas or the cultural ramifications of #MeToo. It’s a wonderfully generous book too; magnanimous even in its wicked asperity, and above all a celebration of the physical and intellectual pleasures that make life worth living and battles worth fighting.”–James Lasdun, author of The Fall Guy” and It’s Beginning to Hurt.

Everything is Personal cover

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For immediate release

Laurie Stone: Lstonehere@aol.com, 917-696-4059

To book events at bookstores: Louise Crawford and Linda Quigley

louisecrawford@gmail.com

718-288-4290

 

“A galvanic account of our era, a trumpet blare aimed at sleepwalkers.” – Emily Nussbaum

EVERYTHING IS PERSONAL, NOTES ON NOW

By Laurie Stone

January 15, 2020 (Scuppernong Editions)

Introduction by Chris Kraus, author of I Love Dick, After Kathy Acker

Afterward by Marco Roth, co-founder and editor of n+1 

Laurie Stone’s Everything is Personal is a galvanic account of our era, a trumpet blare aimed at sleepwalkers. In essays and diary entries that are sharply observant, grieving and generous, Stone seeks links between 1968 and now, meditating with wit and complexity on her own intimate and intellectual history, the question of separating the artist from the art, sexual violence, romantic love, friendship, comedy, television and more. A voice unlike any other, she’s a fearless thinker in an age submerged in fear. –Emily Nussbaum, winner of the Pulitzer Prize for Criticism, TV critic for The New Yorker.

EVERYTHING IS PERSONAL, NOTES ON NOW is a collage of hybrid narratives that begin with the stunning events of November 2016 and challenge Laurie Stone, a longtime feminist and writer for the Village Voice, to feel good when everything is bad. Stone travels to D.C. to bird-dog senators ahead of the hearings for Brett Kavanaugh, considers the pleasures and terrors of the #MeToo movement, and remembers her 25 years at the Voice after the announcement of its demise. Freely jumping between social commentary, criticism, memoir, and fiction, Stone reconsiders the legacy of Valerie Solanas and recalls the way that in 1968 the sense of power and hope made you feel it would always be 1968. The pieces are constructed the way dreams and films are: juxtaposing images, racing along with dolly shots, moving in for close-ups, and pulling back for a sweeping sense of time. Woven through the volume are chunks from Stone’s Facebook posts called “The Clock” that read like tender and funny postcards written to everyone from a time that is unimaginable, even as it’s being lived.

SOME ADVANCE PRAISE FOR EVERYTHING IS PERSONAL, NOTES ON NOW,

‘Every new language sounds harsh at first,’ writes Laurie Stone. Everything is Personal belongs on the shelf with Debord’s Society of the Spectacle and Adorno’s Minima Morialia, books that deliver great wisdom in rolling waves of epigrams. Stone knows that in a world crowded with opinions, a thought can’t just be good, it has to be elegant. Her powerful sentences smile at their own precision, they don’t just make a social point but offer a model on how to think, how to think in this time. As she says, ‘What offends you is always going to be my endangered devotion, and vice versa.’ As she says, ‘About the matter of redemption, as far as I am concerned, human beings don’t fall and therefore do not need to be redeemed. We are not on a path, period.’

—Michael Tolkin, author of The Player and cowriter of Escape at Dannemora.

To read Laurie Stone’s Everything is Personal, Notes on Now is to read Laurie Stone, is to experience a present tense intimacy with a lusty, testy, ebullient, scintillating mind, a woman’s mind, a woman who remembers the summer of ’68 and is living, right now, in this instant, through the Trump years, indeed is surviving the Trump years through documenting her perceptions and memories, her fierce judgments and sweeping opinions about everything from the Brontes to butter, Norman Mailer to Louis CK, Junot Diaz to bird shit, #MeToo to The Handmaid’s Tale, piranhas to praying mantises, The Village Voice to Andy Warhol’s shooter and author of SCUM Manifesto, Valerie Solanas, crystalizing, meanwhile, nuances of feeling—sanctimony, remorse, grief, desire desire desire, and then to keep us sane, to keep herself sane, moments like this:  “It was chilly this morning, and I wore a black jacket with a paperclip for a zipper pull. The grass was the green of electricity, and the trees were heavy with grapefruits and lemons. It was silent. Ducks and geese paddled in the shape of a wedge. It reminded me of pie, and I missed my sister.” Read Laurie Stone. Read this book.

—Diane Seuss, author of Four-Legged Girl and Still Life with Two Dead Peacocks and a Girl

Laurie Stone is the author of My Life as an Animal, Stories. She has published numerous stories in such publications as n + 1, Waxwing, Tin House, Evergreen Review, Fence, Open City, Threepenny Review, and Creative Nonfiction. Her next book will be Postcards from the Thing that is Happening, a collage of hybrid narratives.

DETAILS:

Title: Everything is Personal, Notes on Now

Author: Laurie Stone

Introduction by: Chris Kraus

Afterward: Marco Roth

Publisher: Scuppernong Editions

Publication Date: January 15, 2020

ISBN: 978-1-7329328-2-1

 

Animal COVER March 2016

 

If you are having trouble ordering the book, please let me know, and I will mail it to you for the price of the book and no additional charge. Contact me at: Lstonehere@aol.com or message me at Facebook. THANKS!

My Life as an Animal is a book of linked, comic stories. Think of a novel as a bowl you shatter on the floor. These stories are the shards.

Praise for “Animal”

“I loved My Life as an Animal from start to finish. Laurie Stone writes short stories like a ninja playing hopscotch: you might think you’ve seen the game before, but you’ve never seen it played like this, with fierce precision and fearless grace. There’s heartbreak here, and humor, and love with all its flourishes and twists; and, beneath it all, there’s a compelling serenity, a clear still glance at a world which is often chaotic and absurd.”
Paul La Farge, author of Luminous Airplanes.

“Upsetting the balance of the universe is a job description I would have liked,” remarks the narrator in one of Stone’s stories. The same can be said of Stone, with her acute and kinetic prose.  Heartbreak, comedy, exuberance and nuance: they’re all here and they’re pure pleasure. —Margo Jefferson, Pulitzer Prize winner and author of Negroland: a Memoir.

Two sisters remember the times when as young girls old men crept into their beds. The sisters laugh; the men are long dead. A woman who has worked as a caterer in an old synagogue hitches a ride with the driver of a van, and as they ride through a snowy night sharing a corned beef sandwich, they measure the weight of history on each of their lives. A Brit from a working class family finds a way to mourn his dead parents when he is sparked to rage at the sound of a posh accent. These are only a few of the gems in this book. The narrators of Laurie Stone’s stories look for love even in moments of pain, finding strangeness in the very act of close observation. Her stories are terrific, fully imagined, and with an intelligence rare in contemporary American fiction. –Jeffrey Renard Allen, author of Song of the Shank and Rails Under My Back

My Life As An Animal stands out as the fierce, frenetic, drop-dead witty, inspired and unsparing cri-de-coeur of a particular species: the New York Writer of a Certain Age. In sentences that give off sparks. Laurie Stone manages to weave together Downtown history and late-life love, delineating the landscape of one woman’s longing and desire with a ferocity and detail equally evocative of Vivian Gornick, Philip Roth, Cookie Mueller and Louis CK. A truly fantastic collection. Jerry Stahl, author of Permanent Midnight.

Like the book’s narrator who’s a brilliant scrounger at yard sales, this is fiction in search of what is most precious. And it delivers the goods to us again and again, in these superbly lucid tales of sharp-as-a-tack characters ambushed by what matters. Stone’s readers are in for a very great treat. —Joan Silber, winner of the PEN/Hemingway Award, National Book Award finalist, and author of Ideas of Heaven.

“The delight of floating, a word that appears often in this rich collection of stories, has rarely been so scrupulously and movingly investigated. If a Chagall painting could be translated into prose, it would be this book, which reveals the grace and generosity in one woman’s dense, restless, thoughtful life. My Life as an Animal is at once a lark, a love song, and a eulogy for everything that matters most.”–Stacey D’Erasmo, author of Wonderland.

Deciding she has “nothing to lose”, the narrator of Laurie Stone’s remarkable book transplants herself from the Upper West Side to Arizona when she falls in love at age 60.  A second-wave feminist and former Village Voice critic and journalist, Stone’s narrator uses age as a truth-drug, revisiting scenes from her personal and cultural past with an energized wisdom and clarity.  Recalling “the kind of sex that rises up from excited conversation and the feeling the kind of sex that rises up from excited conversation and the feeling of being in the place where everything you care about is going on” during her activist days, she paradoxically concludes that “the best thing in life is to look back at a time when you had this much feeling.”  Witty, unsparing and brave, My Life As An Animal is a hugely original book.  Stone provides a profound measure of one life’s losses and gains in deft, unsentimental prose. —Chris Kraus, author of I Love Dick and Aliens and Anorexia.

“Laurie Stone is a great sentence maker and those sentences are, in equal measure, wry, tender and always surprising in their syntax and their shape. Those sentences become the stories that make up “My Life as an Animal” — a book as wondrous and strangely familiar as any I have read in a long time.”–Michael Klein, author of Track Conditions and A Life in the Theater.

“This doesn’t feel like a book; it feels like a person. She’s brave and honest and alert and engaged with life–a little neurotic maybe, but not really, just uninhibited, and her mind races. It’s good to hear from her. The book’s an humane and animal pleasure.”–Richard Hell, author of Go, Now

Laurie Stone is whip-smart and funnier than Woody Allen. She goes deep as well as big. In My Life as an Animal, she is in a relationship with a Brit who chooses to live in the American Southwest. We get to know him, her mother, her friends, and the evil landlord. About her deceased mother she says: “I am glad we will not meet again. I wish she were alive.” This is a true statement. Every statement she makes is true, and that is why we need to read her. And why we love her. Her writing, precise, thoughtful, and compassionate, sparkles like a just-washed car, a vehicle perfectly detailed. She makes every word count.—Kelly Cherry, author of Twelve Women in a Country Called America: Stories

In My Life As An Animal, Laurie Stone’s stories explore the fierce contradictions between what her characters know to be true and what they desire. In mapping their collisions and triumphs, Stone’s razor sharp wit and deep humanity create an American idiom all her own. —Susan Daitch, author of L.C. and Paper Conspiracies.

If you would like to order, it would mean a lot to small press publishing, Northwestern University Press, and this book! Use this Discount Code for $15 price: NU2016

You can ask your local indie bookstore to order it!!

You can order My Life as an Animal on Amazon.com or B&N.com and Amazon prime people will not pay postage.

You can order My Life as an Animal: 800-621-2736